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ACROSS
- 1The end carriage (4)
- 8Nevertheless there's a lack of variety (3,3,4)
- 9Place set aside for development (4,4)
- 10I come back to a matter of trivial importance (4)
- 12Dog star (6)
- 14Marks that upset good men (6)
- 15Very little time (6)
- 17Where the Germans outgun me (6)
- 18Use various keys in a composition? (4)
- 19Strongly reminiscent of state aid in rent (8)
- 21Perhaps pity is love, really (10)
- 22Twice as tolerable (2-2)
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- 1 The end carriage (4)
- 8 Nevertheless there's a lack of variety (3,3,4)
- 9 Place set aside for development (4,4)
- 10 I come back to a matter of trivial importance (4)
- 12 Dog star (6)
- 14 Marks that upset good men (6)
- 15 Very little time (6)
- 17 Where the Germans outgun me (6)
- 18 Use various keys in a composition? (4)
- 19 Strongly reminiscent of state aid in rent (8)
- 21 Perhaps pity is love, really (10)
- 22 Twice as tolerable (2-2)
DOWN
- 2Inability in volume (10)
- 3It's coarse to have a row (4)
- 4Retreat for a chap about fifty (6)
- 5Pronounced similarities (6)
- 6Reckon teatime's been changed (8)
- 7Male Egyptian deity becomes Greek female one (4)
- 11The unusually stern needs of affection (10)
- 13What we get from a sour vine will help us remember a place (8)
- 16I grew a strange creeper (6)
- 17There's a lot he wants (6)
- 18Gently knocks over the kitchen sink! (4)
- 20Sets down songs (4)
- 2 Inability in volume (10)
- 3 It's coarse to have a row (4)
- 4 Retreat for a chap about fifty (6)
- 5 Pronounced similarities (6)
- 6 Reckon teatime's been changed (8)
- 7 Male Egyptian deity becomes Greek female one (4)
- 11 The unusually stern needs of affection (10)
- 13 What we get from a sour vine will help us remember a place (8)
- 16 I grew a strange creeper (6)
- 17 There's a lot he wants (6)
- 18 Gently knocks over the kitchen sink! (4)
- 20 Sets down songs (4)
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